"Pine" by Francine Toon
A review of a haunting debut novel
Francine Toon’s eerie and unsettling debut
novel Pine is set in a small and remote Highland town, where the nearest
supermarket is 23 miles away, and the planned opening of an Aldi has been a topic
for discussion for months. It is a
community where everybody knows everybody else.
So, it’s quite ironic that there’s a mystery at the heart of this story. Just under ten years before the events
described in the novel, a young woman named Christine disappeared without a
trace. Her partner Niall and their baby
Lauren are still struggling to come to terms with this. The villagers gossip about Niall’s possible
involvement in this disappearance, their suspicions fuelled by his alcohol
problem and evident anger management issues. Lauren, who doesn’t remember her
mother, is bullied at school, branded as the daughter of a “witch”. Christine
might well have recognised herself as one – before her disappearance, she was
into alternative remedies, crystal healing and fortune telling. In secret, Lauren is teaching herself spells and
tarot reading from one of her mother’s books - her way of coping with a harsh and dangerous world.
The novel opens on a Halloween night. On their way home in their truck after an
evening out “guising”, Lauren and her father come across a strange,
white-gowned woman stumbling onto the road.
They take her home with them, but the following morning she’s gone, and
Lauren notices that Niall seems to have no recollection of the event. Other
ghostly and unexplained events take place.
Could they be harbingers of an impending tragedy? The disappearance of
teenager Ann-Marie unearths memories of a mystery which has never gone away and
Lauren – and the whole village – fear the worst.
Francine Toon was raised in the Highlands, and
she ably uses a setting familiar to her to create a dark, uncanny atmosphere. The
novel’s title refers both to Christine’s name for her daughter (Oren,
the Gaelic word for “pine”) and to the forest which surrounds the village. As
in traditional fairy tales, the “trees, coarse and tall in the winter light,
standing like men” evoke dread but also a sense of something timeless and otherworldly. This idea is also visually conveyed in the brilliant, minimalist cover.
The
references to folklore, the Highland setting and the supernatural elements
reminded me of another debut novel which I had greatly enjoyed – Kerry Andrew’s
Swansong. However, there are also
some clear differences between the approach of the two authors. Whereas Andrew’s story is steeped in
folklore, Toon’s is darker, its Wiccan elements pushing it more towards horror. It also owes much to the contemporary thriller,
which has turned the “missing person” trope into a veritable sub-genre.
The result is a gripping, genre-bending book
which provides plenty of thrills, supernatural and otherwise. Indeed, in the
excitement of the story it’s easy to miss its subtle, realist aspects – particularly
the challenges of living in a small, remote community especially if you are a
young teenager raring to see the world.
This novel should also be read for this.
Hardcover, 288 pages
Expected publication: January 23rd 2020 by Doubleday
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