The Echoes by Evie Wyld

 

The Echoes

by Evie Wyld

Enlightenment by Sarah Perry

 

Enlightenment

by Sarah Perry

To give love without receiving it is to understand we are made in the image of God – because the love of God is immense and indiscriminate and can never be returned to the same degree. So, if you go on loving when your love is unreturned, it makes you just a little lower than the angels.

"The Bass Rock" by Evie Wyld

The Bass Rock 

by Evie Wyld

A review

"Love" by Roddy Doyle

"Love" by Roddy Doyle

A book review

Family Comedy : "The Altruists" by Andrew Ridker

Charity begins at home... A review of Andrew Ridker's "The Altruists"

I do not envy comic novelists.  Besides the challenges facing any novel writer, they have to elicit a smile, chuckle or smirk from their readers at regular intervals.  Then, if and when they get it right, they face the risk of seeing their work dismissed as ‘(s)light’ fare.  A case in point, in my opinion, was Andrew Sean Greer’s Less, which I greatly enjoyed and which I think really did deserve the Pulitzer, but which was slated in some quarters, including by friends and reviewers whose opinion I greatly respect.

It is therefore great news that a fresh talent has now joined the ranks of comic novelists.  Andrew Ridker was born in 1991, and his debut novel The Altruists is published later this year. Admittedly, on the cynicism/bleakness scale, this novel is closer to Richard Ford than to Andrew Sean Greer, which might make it more palatable to the literati.   Indeed, it’s already attracting glowing advance reviews.  As for me, I admired most of it, although I find it harder to actually like it.

The protagonists of The Altruists are the Alters, a Jewish middle-class family  from St Louis.  The mother, Francine, haunts the novel, despite being dead for most of it. Indeed, it is her inheritance which serves as the catalyst of the plot.  Incensed at the fact that her sixty-something professor husband Arthur has taken up a much younger lover whilst she is dying of cancer, Francine bequeaths a secret fortune to her two children, Ethan and Maggie.  Faced with the prospect of losing his girlfriend and also his heavily mortgaged house, Arthur invites his children back to St Louis for a reconciliatory weekend, hoping to convince them to bail him out.  But Ethan and Maggie have their own problems.  Ethan (whose homosexuality Arthur has never quite accepted) is out of a job, and is now living off his mother’s money in Brooklyn, whilst trying to sort out his messy love life.  On her part, Maggie is a hard-headed would-be altruist, whose obsession with causes and ideals often leads her to actually overlook the needs of the people who surround her. Although Arthur’s plans seem to be failing miserably (but quite entertainingly for us readers), they do lead the Alters to come to term with their history and to understand that they are possible more like each other than they like to think.

To be honest, I found it hard to symphatize with any of the characters, who seemed to have few, if any, redeeming features.  There are likeable rogues, but Arthur is certainly not one of them.  And his children are, frankly, chips off the old block.  This ultimately detracted from my enjoyment of the novel.  At the same time, however, there is much that is brilliant about The Altruists – it is an undeniably insightful work, it has some crisply humourous dialogue, and memorable set pieces.  I particularly enjoyed the final showdown between the Alters and Arthur’s young lover, and the Zimbabwe episode feels like something out of Evelyn Waugh.     

Hardcover, 320 pages

Expected publication: March 7th 2019 by Jonathan Cape 

Nu-folk : "Swansong" by Kerry Andrew

Swansong by Kerry Andrew

A musical review

Kerry Andrew is a musician with four British Composer Awards to her name. As a ‘contemporary classical’ composer she has written choral works which subtly subvert the tradition. As her alter-ego You Are Wolf  she (re)interprets folk songs in a contemporary, electronica-tinged idiom. Andrew's first novel, Swansong, is inspired by a folk ballad and shares some of the concerns and methods of her musical projects.

The novel's feisty protagonist and narrator is Polly Vaughan, an English literature undergraduate who, by her own admission, is more into booze, drugs and sex than into literary theory. After she experiences a disturbing incident in London, Polly joins her mother Lottie on an extended holiday in the Western Scottish Highlands. Polly hopes that this will help ease her feelings of guilt and inadequacy.

Plans, however, soon go awry. For a start, her attempts to build new friendships and relationships seem to fail miserably. Moreover, the natural environment, beautiful and wild as it is, also comes across as decidedly uncanny. Right on her arrival she spots a strange man pulling a bird apart in the dead of night. And as the days roll on, she starts to have increasingly strange and unsettling visions which cannot be easily explained away as the effects of weed on a heavy conscience. Could something otherworldly really going on?

What makes the style of this novel particularly distinctive is the stark contrast between the fresh, contemporary (and sweary) narrative voice and the elemental, mythical and timeless symbolism which underpins the story. This is not the only dichotomy present in the novel. Indeed, the book often presents us with opposites which turn out to be closer to each other than may be obvious at first glance. "Dead / Not Dead", the mantra which Polly repeats to herself, starts off as an expression of guilt and, by the end of the novel, attracts a deeper meaning. There are similar contrasts between the urban and the natural, the human and the animal, the old and the new. 

Andrew also manages to combine seemingly disparate genres. This is, at heart, a supernatural novel, a reworking of a timeless myth. But it also has elements of the psychological thriller, the crime story and the Bildungsroman. It is also a nature novel where the landscape itself becomes a central character. Somehow, it all manages to gel.

If I have any criticism of the novel, it is that sometimes the metaphors pile on top of each other, giving the impression that the author is trying too hard to come up with an unusual or striking image. To be fair, however, Polly is herself a whimsical literature student and so the unconventional narrative voice is in character. 

What I do know is that when I finished Swansong, I suffered withdrawal symptoms, which does not often happen to me. That is when I realised how much I enjoyed this eerie but beguiling novel.

Published:  January 25, 2018

                                                     

***

Of musical journeys

Listening to Kerry Andrew’s music provides an interesting counterpoint and, possibly, a different perspective to her literary work.   What it certainly carries over from her novel is her seamless mix of different genres.  She is classically trained, and her first British Composer Award was for a choral work called “Fall”.  Works for choir are still an central part of her musical oeuvre.  I particularly like the motet “O Nata Lux”, performed and recorded in this video by the London Oriana Choir as part of the five15 project 

Another concern of Kerry Andrew is writing for young and/or amateur performers.  One of her works, composed for the Wigmore Hall, is the community chamber opera “Woodwose”, which won her another British Composer Award in 2014.  Her latest British Composer Award win was in the Music for Amateur Musicians category, for a piece featuring the massed National Youth Choirs of Great Britain, premiered at the Royal Albert Hall in 2016 : “who we are”

Just as important to Andrew is her work as the artist “You Are Wolf” (youarewolf.com) under which name she has released 2 albums.  The first one “Hawk to the Hunting Gone” explores the theme of birds in folklore and includes a track called Swansong.

Here’s a live performance of Cuckoo:

Kerry Andrew’s interest in folklore goes beyond a love of ballads and traditional songs.  She has recently written an erudite article for the brilliant Folklore Thursday website on swans in myth and folklore.  It features several references to her debut novel and its sources of inspiration.  But it does contain some spoilers – so perhaps the article works better as an “afterword” after the novel has woven its spell.