Murder most wet...
"Deep Waters - Murder on the Waves" (edited by Martin Edwards - British Library Crime Classics)
The
British Library Crime Classics series (published and marketed in the US by
Poisoned Pen Press) is growing into a veritable library spanning the “Golden
Age” of crime fiction. Since 2012, the
series has presented to the public forgotten gems of the genre.
Martin
Edwards, who is himself an award-winning crime writer and Chairperson of the
Crime Writers’ Association, deserves much of the credit for the success of this
venture. Besides acting as series
consultant, he has also edited several of its “themed anthologies”. I must admit that although I enjoy some
crime fiction now and then, it is not the genre I typically read. I guess that for persons like me, these
multi-author anthologies are an ideal entry point to the Crime Classics series. Edwards is an erudite and intelligent editor,
who knows how to keep a reader interested through the variety of the chosen
stories.
“Deep
Waters”, the thirteenth anthology to appear in the series, is an excellent
example. It features a total of sixteen stories which all bear some relation to
water. Edwards casts his net wide, and
the watery settings to the chosen tales range from cruise liners sailing the
oceans, to river boats, canals and even ponds and swimming pools. The stories are spread over a century or so,
starting in 1893 with the very first piece in the Sherlock Holmes canon (Arthur
Conan Doyle’s “The Adventure of the Gloria Scott”) and ending with “Death by
Water” by Michael Innes (the pen-name of Edinburgh-born academic John Innes
Mackintosh Stewart), first published in the 1975 collection “The Appleby File”.
Along
the way, we meet examples of works by leading representatives of the “Golden
Age” crime fiction, such as E.W. Hornung and Edmund Crispin, alongside
lesser-known authors such as Kem Bennett.
Crime fiction is often dismissed as being too formulaic – this selection
shows that nothing can be further from the truth and that the best authors find
ingenious ways of presenting, reinterpreting and in some cases subverting the
expectations of the genre. The
protagonists range from professional to amateur or even ‘accidental’
investigators and there’s an appearance by E.W. Hornung’s amiable rogue ‘Raffles’. There are also some excellent examples of
crime sub-genres such as the ‘locked-room mystery’ (as in “Bullion”, by William
Hope Hodgson, possibly better-known as the author of creepy ghost stories) and
the “inverted mystery”, where the solution to the mystery is presented to the
reader at the outset and the pleasure lies in discovering how the puzzle will
be unravelled.
Although
the style of some of featured pieces feels rather dated, there is much
enjoyment to be had from these watery tales.
As a bonus, Martin Edwards provides a foreword to the anthology, as well
as an introduction to each story, with biographical and bibliographical
details.
Paperback, 352 pages
Expected publication: September 3rd 2019 by Poisoned Pen Press
Original publication: June 10th 2019 by British Library Publishing
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